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Shatta Wale is not just a Star, He’s a Movement- FOCAP Vice President Mel Kwesi Davis Writes

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Vice President of the Foundation of Concerned Arts Professionals (FOCAP), Mel Kwesi Davis, has applauded African Dancehall King Charles Nii Armah Mensah, widely known as Shatta Wale, for his continuous and persistent contribution to the Ghana music industry and the creative economy. In a Facebook post sighted by your number one news source,  KPDONLINE.NET, the event and creative astute heaped praises and further showcased his admiration for the artiste he claimed as Ghana’s Gold.

 

He writes!!!!

If there is one artist in Ghana who knows how to keep an entire nation talking, dancing, arguing and sometimes even fighting over music, it is Charles Nii Armah Mensah Jnr.  the one and only Shatta Wale.

 

From his early days as Bandana, when he blessed us with “Moko Hoo”, to his spectacular rebirth as Shatta Wale, he has done what very few African musicians have managed: stay relevant for over two decades while reinventing himself in style. Love him or hate him, Shatta Wale has conquered Ghana’s music space, cemented his name as the Dancehall King of Africa and is now quietly or rather loudly, preparing to storm the world.

 

If there’s one thing about Shatta Wale, it’s this: he never stops moving. The man who once shook Ghana with “Dancehall King” and shook the world with Beyoncé’s “Already” and he is back in the headlines with a new fire — his hit single Street Crown. Just when we thought it couldn’t get bigger, the “World Boss” himself, Vybz Kartel, jumped on the remix. Two kings of dancehall, one track. The streets don’t just love it, they’ve crowned it.

 

This time, Shatta isn’t just aiming for charts. He has officially submitted “Street Crown” for Grammy consideration, a bold but perfectly timed move. With Afrobeats, Amapiano and African dancehall dominating global playlists, Shatta’s Afro-dancehall sound sits at the crossroads of cultures, exactly the kind of fusion the Recording Academy is finally paying attention to.

If successful, he’ll not only break new ground for Ghanaian music but also cement his place as one of Africa’s most influential exports.

 

 

The Ghana and Africa Chapter: Conquered.

Shatta’s story is not just music; it is strategy. In Ghana, he turned dancehall into a mainstream sound, mixing patois with Ga, Twi and Pidgin, making it ours.

He dominated the charts with hits like Dancehall King, Ayoo, Kakai, and Taking Over — records that instantly became street anthems.

It’s not like Shatta is new to winning. His career is a shelf stacked with trophies and milestones:

Over 80 awards and 120+ nominations, making him one of Africa’s most decorated artists. 3-time International Reggae & World Music Awards (IRAWMA) winner, including Best Virtual Entertainer of the Year in 2021. 2014 Vodafone Ghana Music Awards Artist of the Year, the year he officially took over Ghana.

Billboard recognition: Dancehall King spent weeks on the Billboard charts, proving his appeal goes beyond Africa.

Collaborations with global names like Beyoncé, Major Lazer, and Vybz Kartel, which only a handful of African acts can boast of.

 

Beyond the music, he built a movement, Shatta Movement (SM4Lyf), a loyal fan base that doubles as his PR army, hype machine and sometimes, his human shield in controversies.

Across Africa, he has performed in Nigeria, South Africa, Kenya and other countries. He has performed for fans in Europe, the United States, the United Kingdom and was personally invited by the World Boss Vybz Kartel to Jamaica to perform at the historic Freedom Road concert.

 

By 2019, when Shatta teamed up with Beyoncé on “Already” for the Lion King: The Gift album, he sent one clear message: he was no longer just Ghana’s problem; he was Africa’s export.

The World Awaits.

Now, Shatta Wale is in the next phase of his career, and it promises to be epic.

He has set his eyes on the global stage, not as a feature but as a headline act.

Shatta’s unique blend of Afro-dancehall is perfectly positioned to break into the international market.

He’s working on collaborations with producers and labels outside Africa, carefully crafting a sound that still feels authentically Shatta, but with global appeal.

 

His massive social media following (over 4 million on Instagram alone) gives him direct access to fans worldwide, allowing him to bypass traditional gatekeepers.

 

Why Shatta Will Succeed.

Shatta’s secret weapon has always been his fearless attitude and work ethic. While some artists release one hit and go to sleep, Shatta releases ten and stays up all night live-streaming with fans. He understands the new music economy: consistency, connection and controversy.

 

He also knows how to reinvent himself. From Bandana to Shatta Wale, from street anthems to international collabs, from Accra to the global stage, every phase has been bigger than the last. If history is anything to go by, the world is about to witness Shatta in his most polished, yet rawest form.

 

Here’s why Shatta’s next chapter looks unstoppable:

 

treet Cred + Global Sound: Street Crown is both a street anthem and a global record, especially now with the Vybz Kartel co-sign.

The Grammy Play: His submission shows ambition and confidence. He’s not just playing for Ghana anymore, he’s playing for history.

Unmatched Work Rate: Shatta remains one of the most consistent artists in Africa. While others drop an album every 2 years, Shatta drops hits every month.

Fan Power: SM4Lyf isn’t just a fan base; it’s an army and a family, ready to amplify him from Accra to Atlanta.

 

Let’s be honest: Shatta Wale is not just an artist, he’s a walking reality show. Who else can go from beefing an entire industry on Monday to dropping a chart-topper on Friday, then performing at a packed stadium on Saturday? Who else can cause chaos with a Facebook Live video, only to trend worldwide for a dance video the next week?

 

The man is unpredictable, but one thing is certain — when Shatta Wale says he’s ready for the world, the world better be prepared.

 

Shatta Wale has already ruled Ghana. He has already made Africa dance, but with Street Crown and his global vision, the next phase of Shatta Wale is not just epic; it could be a Grammy-winning epic!

 

SM4Lyf. The world better be ready.

As he himself would say: “SM4Lyf, the world no go understand until e happen.”

The king of Afro-dancehall, who turned controversy into culture, hits songs into history and fans into family. His next act? Taking over the globe…and it will be EPIC!

Check the link below for the full story.

https://www.facebook.com/share/v/1BJkdMpnKA/

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Assafuah Reveals GTA Directors’ Concerns Over World Cup Activation Programme

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Old Tafo Member of Parliament and Ranking Member of Parliament’s Youth and Sports Committee, Vincent Ekow Assafuah, has disclosed that several directors of the Ghana Tourism Authority (GTA) petitioned the Authority’s Chief Executive Officer over aspects of Ghana’s preparations for the 2026 FIFA World Cup.

Speaking on Asempa FM, Mr Assafuah said the petition was related to the FIFA World Cup Destination Marketing Initiative and Activation Programme, particularly the collaboration between the GTA, TRIBE Culture Fest, the United States Embassy and the National Sports Authority (NSA).

According to the MP, the directors were concerned about how the programme was being handled and wanted the GTA leadership to provide clarity on certain decisions and allocations.

He said the directors believed they had been left out of parts of the process despite their positions within the Authority.

Mr Assafuah said the petition also sought information about certain slots reportedly allocated under the World Cup activation programme, including a reported allocation of 400 United States visas.

He explained that the directors wanted to know how the reported allocation was arrived at, who was responsible for the process and how the beneficiaries were selected.

Among the directors he identified as signatories to the petition were Angelo Yossi Dogbe, Director for the Northern Region; Spencer Doku Piedi, Director of ITBS at the GTA headquarters; Isaac Esiam, Director for Tema; Henry Yeludo, Director for the Western Region; and Moses Ndebugiri, also identified as a Western Region director.

Mr Assafuah said the petition was directed to the GTA leadership and sought answers concerning the Authority’s involvement in the World Cup Destination Marketing Initiative and Activation Programme.

He said the directors specifically wanted details about the collaboration with TRIBE, the US Embassy and the National Sports Authority, as well as the process through which various opportunities under the programme were allocated.

The Old Tafo MP said the concerns raised by the directors were significant because they suggested that there were internal questions within the GTA about the management of the World Cup-related programme.

He stressed the need for the relevant directors and officials to provide explanations so that the public could understand how the arrangements were made.

Mr Assafuah said the issue formed part of broader questions surrounding Ghana’s preparations for the 2026 FIFA World Cup and the role of state institutions in the related tourism and sports activation programmes.

He indicated that the Minority in Parliament would continue to examine the available documents and pursue accountability on matters concerning the World Cup arrangements.

The MP’s disclosure places further attention on the reported 400 US visa allocation and the internal petition by GTA directors, with questions remaining over the exact number of visas involved, the criteria for selecting beneficiaries and the respective responsibilities of the institutions participating in the programme.

The claims regarding the petition and visa allocation require confirmation from the Ghana Tourism Authority, National Sports Authority, Ministry of Sports and Recreation and other institutions involved.

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ECG Announces Planned Power Outages in Parts of Tema on Sunday

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The Electricity Company of Ghana (ECG) has announced planned maintenance works that will result in temporary power outages in parts of the Tema Region on Sunday, August 30, 2026.

According to ECG, the exercise is aimed at improving service delivery and ensuring a more reliable electricity supply.

First Maintenance Exercise

The first outage is scheduled for 10:00 a.m. to 4:00 p.m. on Sunday, August 30.

The affected areas include:

PFC Coldstore

ECG Depot

Wang Heng Cement

Goil Bitumen

Ghacem

Oyoko

Tema Newtown

Unilever

Ken Coldstore

Jon Moore

Tema Kokompe

Mankoadze Foundry

Socatrade

BBC Paints

Irani Brothers

Asempa Coldstore and Surrounding areas

Second Maintenance Exercise

A separate maintenance exercise will take place from 9:00 a.m. to 4:00 p.m. on the same day.

Areas expected to be affected are:

Verna Oil

Nutri Foods

Platinum Gas

Surrounding areas

ECG said the planned interruptions are necessary to facilitate maintenance works and improve electricity service delivery within the Tema Region.

The company has apologised to customers and businesses in the affected areas for the inconvenience the temporary outages may cause.

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NPP Accuses GoldBod of Fueling Galamsey Crisis

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The New Patriotic Party (NPP) has accused the Ghana Gold Board (GoldBod) of contributing to the worsening illegal mining, popularly known as galamsey, crisis, alleging that the gold purchasing system has failed to adequately distinguish legally produced gold from gold extracted through illegal mining.

The NPP National Organiser made the allegation during a press engagement on Tuesday, August 25, 2026, arguing that GoldBod’s expanded role in the gold trade has created serious concerns about the source of gold entering the formal trading system.

He claimed that GoldBod currently has extensive powers as a major player in gold purchasing, selling and exporting, yet the country continues to face severe environmental destruction associated with illegal mining.

According to him, GoldBod cannot adequately demonstrate the difference between gold obtained from licensed sources and gold produced by illegal miners who destroy forests, farmlands and water bodies.

He cited comments attributed to GoldBod’s leadership suggesting that some licensed buyers could be involved in activities associated with illegal mining.

The NPP organiser said questions raised by industry stakeholders, including voices from the Chamber of Mines and members of the NPP Parliamentary Minority, had not received satisfactory answers.

He asked why, if GoldBod is not purchasing gold linked to illegal mining, the illegal gold trade remains so widespread.

He also criticised the government for highlighting Ghana’s position as the sixth-largest gold producer globally without adequately addressing the environmental cost of the country’s gold production.

He claimed that more than 60 per cent of Ghana’s water bodies have been polluted by illegal mining and warned that some rivers have become so heavily contaminated that water treatment plants have had to suspend operations.

He further cited projections that the cost of treating polluted water bodies could exceed GH¢17 billion by 2030.

The NPP official also linked galamsey to deaths and public health concerns, saying the country is paying a heavy price through contaminated food, polluted water and environmental degradation.

He accused the governing NDC of abandoning its previous opposition-era posture on illegal mining and said the galamsey situation had become worse under the current administration.

According to him, Ghana cannot celebrate increased gold production while ignoring the destruction of the natural resources that support communities and the national economy.

He therefore called for stronger accountability and greater traceability throughout the gold supply chain to ensure that illegally mined gold does not enter the formal market.

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Afenyo-Markin: GoldBod’s Response Confirms GH¢22bn Loss, Minority Insists on Accountability

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The Minority Caucus in Parliament has rejected the response by the Chief Executive Officer of the Ghana Gold Board (GoldBod), Sammy Gyamfi, to concerns over the institution’s financial and operational performance, insisting that the reported GH¢22 billion loss under the Domestic Gold Purchase Programme (DGPP) must be accounted for.

The Minority Leader, Alexander Kwamena Afenyo-Markin, made the position known in a statement issued on Wednesday, August 19, 2026, a day after the Minority held a press conference on GoldBod’s financial performance and reported losses under the DGPP.

The statement, titled “Response to the Statement by the Chief Executive of the Ghana Gold Board,” said the Minority had considered Mr Gyamfi’s response delivered through the Government Accountability Series and concluded that it raised rather than resolved questions about the programme.

According to Mr Afenyo-Markin, the GoldBod CEO did not dispute the International Monetary Fund’s reported finding that the Domestic Gold Purchase Programme recorded a loss of US$1.7 billion, equivalent to about GH¢22 billion, in 2025.

The Minority Leader argued that Mr Gyamfi’s disagreement centred on who should bear responsibility for the loss, rather than whether the financial loss occurred.

“The GoldBod’s statement this morning confirms more than it rebuts,” the statement said.

Mr Afenyo-Markin stressed that the money involved was public funds and therefore must be accounted for, regardless of which state institution’s balance sheet ultimately bears the loss.

The Minority also challenged GoldBod’s reported operational surplus, pointing to figures provided by Mr Gyamfi regarding the institution’s activities under the programme.

According to the statement, GoldBod accounted for approximately GH¢133 billion in advances in 2025 and was paid an assay fee of 0.258 per cent as well as a service fee of 0.5 per cent.

Based on those figures, the Minority estimated that GoldBod earned approximately GH¢1 billion in fees from the programme.

Mr Afenyo-Markin contrasted this with GoldBod’s reported operational surplus of GH¢907 million, arguing that the surplus was smaller than the fees collected from a programme that, according to the IMF finding cited by the Minority, resulted in a GH¢22 billion loss to the state.

He argued that once the agency fees are removed from the calculation, there would be little or no operational surplus to celebrate.

“Strip out the agency fees, and there is no operational surplus to speak of,” the Minority statement said.

The Minority further accused GoldBod of taking credit for positive economic developments associated with the Domestic Gold Purchase Programme while distancing itself from the programme’s reported losses.

Mr Afenyo-Markin pointed to the reported 41 per cent appreciation of the Ghana cedi against the US dollar, the increase in Ghana’s foreign exchange reserves from US$8.9 billion to US$13 billion, and the decline in inflation.

He said GoldBod had been at the forefront of taking public credit for those outcomes.

However, the Minority Leader argued that an institution that describes itself as a passive agent when costs are considered should not portray itself as an active driver when benefits are being attributed to the programme.

“The same statement credits the scaling up of the DGPP with the 41 per cent cedi appreciation, the rise in reserves from US$8.9 billion to US$13 billion, and the fall in inflation,” the statement noted.

Mr Afenyo-Markin also raised concerns about what he described as changing arrangements for funding the Ghana Accelerated National Reserve Accumulation Plan (GANRAP).

According to the Minority statement, Mr Gyamfi’s own account indicated that responsibility for the cost of implementing GANRAP moved from the Bank of Ghana to the Ministry of Finance in July 2026.

The statement further said that, from August 2026, GoldBod was seeking to raise funds independently.

The Minority Leader questioned the sustainability of what he described as three different funding arrangements within six months, arguing that such changes did not amount to a settled funding model.

The Minority reiterated that the reported GH¢22 billion loss identified in the IMF’s Sixth Country Report must be accounted for.

The statement referred to the IMF report as Sixth Country Report No. 26/213, issued in August 2026, and described the reported amount as a financial loss to the Republic.

“The 22 billion Ghana cedis losses, as reported by the IMF Sixth Country report, numbered 26/213, issued in August 2026, amount to a financial loss to the Republic. It must be accounted for!” the statement said.

The Minority’s position is consistent with its broader demand for GoldBod to account for the full financial implications of its gold-purchasing operations. Reports on the dispute indicate that Afenyo-Markin has questioned why GoldBod should claim credit for foreign-exchange gains associated with the programme while distancing itself from losses linked to the same transactions.

The Minority Leader also criticised the tone of Mr Gyamfi’s response, particularly his reported reference to a “brothel” while addressing the controversy.

Mr Afenyo-Markin said such language was inappropriate for a public official responding to questions concerning public funds.

He argued that Ghanaians had asked for financial figures and explanations and should not be met with insults or personal attacks.

“Ghanaians asked for figures. They were given insults. The figures are still outstanding,” the Minority said in its statement.

The latest exchange deepens the public dispute between the Minority in Parliament and GoldBod CEO Sammy Gyamfi over whether the US$1.7 billion loss reported in connection with the Domestic Gold Purchase Programme should be attributed to GoldBod, the Bank of Ghana, or another part of the state’s financial architecture.

Mr Gyamfi has maintained that the reported loss should not be attributed to GoldBod and has challenged the Minority to identify where the IMF report specifically accuses GoldBod of incurring the loss. He has also said he is prepared to appear before Parliament to answer questions on the matter.

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GoldBod won’t be distracted by Afenyo-Markin’s “antics” – Sammy Gyamfi

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Chief Executive Officer of the Ghana Gold Board (GoldBod), Sammy Gyamfi, has dismissed what he describes as continuing attacks by Minority Leader Alexander Afenyo-Markin, saying they will not distract the institution from its mandate.

Mr Gyamfi characterised the allegations against GoldBod as part of a “desperate smear campaign” driven by what he described as political blackmail and the deliberate recycling of claims without sufficient evidence.

Speaking at Government Accountability Series, he said the Ghanaian public deserved serious discourse based on facts, evidence and truth rather than repeated allegations intended to create a false impression.

“The Ghanaian people deserve serious public discourse founded on facts, evidence, truth, and not endless recycling of fossils in the hope that repetition will lend credibility and turn fiction to facts,” he said.

Mr Gyamfi further accused his critics of using what he described as “sophistry and political blackmail” in pursuit of selfish interests.

He maintained that GoldBod would continue to account transparently for its activities and stewardship, insisting that the institution would remain focused on creating value for Ghanaians from the country’s gold resources.

“GoldBod will remain focused on its mandate. We will continue to account transparently for our stewardship, and we will not be distracted from the important work of creating value for the Ghanaian people from the exploitation of the gold resources of our beloved nation,” he stated.

His comments come amid an ongoing political and public debate over the management of Ghana’s gold resources and allegations surrounding the operations and financial performance of the GoldBod and the Bank of Ghana’s Domestic Gold Purchase Programme.

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