Connect with us

Entertainment

Bisa Kdei Reveals Cheap Acoustic Guitar Behind ‘Brother Brother’ Sound

Published

on

Ghanaian musician Bisa Kdei has revealed an interesting secret behind the production of his hit song Brother Brother, disclosing that he used a relatively cheap acoustic guitar to create the distinctive sound featured in the track.

The highlife musician made the revelation during an interview on Hitz FM’s Daybreak Hitz, where he shared details about the creative process that went into producing the song.

According to Bisa Kdei, contrary to what many listeners might think, the guitar sound on the song was not produced with an electric guitar. Instead, he used an acoustic guitar, which he carefully tuned to achieve an old-fashioned sound that suited the direction he wanted for the song.

He explained that getting the desired sound required several hours of experimenting with the instrument until he was satisfied with the outcome.

“I played the guitar on ‘Brother Brother’ using a cheap guitar. And you know the funny part? It wasn’t even an electric guitar; it was an acoustic guitar, but I tuned it to sound like an old guitar,” he said.

Bisa Kdei further disclosed that although he eventually achieved the sound he was looking for, the recording was not technically perfect.

However, he decided to retain it because he believed the slight imperfections gave the song a unique character that might have been lost if he had pursued a completely polished sound.

“I spent a couple of hours working on it, making sure I got it right, and I did. It wasn’t even perfect, but I thought, ‘No, it doesn’t have to be perfect. If it were perfect, it probably wouldn’t sound good,’” he added.

 

Entertainment

I’ve Never Liked Democracy’ – George Quaye’s Take on Ghana’s Governance

Published

on

Creative entrepreneur George Quaye has criticised Ghana’s democratic system, arguing that the country’s four-year electoral cycle has hindered national development, particularly in the creative arts industry.

Speaking in an interview with Kwame Dadzie on Joy FM’s Showbiz A-Z, George said he had never supported democracy, suggesting that frequent changes in government make it difficult to sustain long-term projects and development initiatives.

“I’ve never liked democracy,” he said while discussing how the democratic system, particularly in the arts and culture sector, has affected the smooth implementation and continuity of projects.

When asked about the governance system he would prefer for Ghana, George mentioned “benevolent dictatorship” and cited China’s communist ideology as a model he believes could help accelerate the country’s development.

He argued that certain decisions require firm leadership and that people sometimes need to be compelled to follow a particular direction to achieve meaningful progress.

“Sometimes people have to be forced to toe a certain line. If you had a government system which didn’t require four-year changes, now and then, and everybody had a voice, [things would be different],” he said.

George’s comments add to ongoing public discussions about Ghana’s multi-party democratic system and whether its current structure is delivering the desired results for the country.

Former Director-General of the Ghana Health Service, Professor Agyeman Badu Akosa, has also expressed dissatisfaction with the system, arguing that multi-party democracy has failed to benefit the wider population and has largely served the interests of the political class.

In April 2025, he declared that “multi-party democracy has done nothing for this country” during a public lecture at the University of Education, Winneba.

Ghanaian broadcaster and musician Quophi Okyeame has similarly questioned the effectiveness of democracy in addressing the country’s challenges.

In a 2023 interview with Joy Entertainment, he argued that Ghana needed a benevolent dictator to achieve the desired development, describing the kind of leader he believed the country required as “a crazier Rawlings.”

“I think we would need a benevolent dictator. If you break down the words, you will understand the kind of person we are looking for: a crazier Rawlings. Africans don’t move until there is a cane on their back,” Quophi said.

George made his remarks while discussing what he perceives as a decline in the momentum surrounding this year’s December in GH activities.

He expressed disappointment that the initiative, which previously served as a major promotional brand for Ghana’s December festivities and attracted international attention, appeared to have lost some of its excitement.

“It’s just sad that the fire around the brand December in GH feels a bit doused. When December in GH was the lead brand that was headlining everything, but frankly it’s not that I want to apportion blame. I mean, new king, new law. Everybody has their vision. There is nothing wrong with having a vision and wanting to propagate it,” he said.

He further explained that although he understood that different administrations could have their own approaches and priorities, he would have preferred to see the initiative that had already gained international recognition receive continued attention and support.

“Maybe it’s just more time that we need but I would have wished that what was started some time back that was titled the December in GH which became a global phenomenon would have been jealously guarded and pushed,” he noted.

Continue Reading

Entertainment

Diana Hamilton Warns Gospel Artistes Against Narrow Definition Of Breakthrough

Published

on

Gospel musician Diana Hamilton has urged emerging artistes to change their perception of success and breakthrough in the music industry, cautioning against measuring progress solely by hit songs, popularity and mainstream recognition.

Speaking in an interview on Hitz FM’s Daybreak Hitz, the award-winning singer explained that the belief that gospel musicians are not making significant progress is largely influenced by how people define success.

According to her, several gospel artistes are building strong audiences and impacting lives across different countries, even though their achievements may not receive widespread public attention.

She cited Efe Grace, among other gospel musicians, as an example of an artiste whose ministry is reaching people and making an impact beyond what the general public may know.

“Sometimes, I want us to be careful with this ‘nobody is breaking through’ narrative. I think it is our perception of what a breakthrough is. Let us not judge it that way,” she said.

Diana Hamilton noted that many worshippers and talented gospel musicians are attracting their own audiences and building dedicated fan bases without necessarily having songs that meet the industry’s conventional definition of a hit.

“There is an army of worshippers and great musicians who are building their own fan bases and attracting their own crowds that we do not even know about. Efe Grace and others are impacting nations that we may not even be aware of.

“So, I think it is our yardstick that matters. What we consider a hit song may make you think somebody is not breaking through. Let us be careful with our definition of breakthrough. It is very important that we do that,” she stated.

The musician further advised artistes involved in ministry to understand their individual assignments, remain focused on their calling and avoid comparing their progress with that of others.

She emphasised the importance of knowing what they want, understanding God’s purpose for their lives and remaining committed to the work they have been called to do.

“Anybody out there doing ministry, it is important you know what you want, you know who your God is, His assignment for you, and focus on it.

“Be diligent; applaud those ahead of you. Do not speak down on those ahead of you because until you get there, you will not know what it takes to get there.

“Applaud, not envy,” she added.

Continue Reading

Entertainment

I Cry for Christianity in Ghana – Nigel Gaisie Warns Young Pastors Lack Passion for Ministry

Published

on

Founder of Prophetic Hill Chapel, Prophet Nigel Gaisie, has expressed deep concern about the future of Christianity in Ghana over the next 30 years, warning that the next generation of pastors may struggle to sustain the passion, discipline and commitment required for ministry.

Speaking in an interview on Adom TV, shared online on November 11, 2026, the preacher disclosed that he has a troubling vision of what Christianity could become in the country within the next three decades.

According to Nigel Gaisie, the standards of Christianity have declined, with some younger pastors unwilling to go through the difficult processes and sacrifices associated with ministry.

He argued that many young ministers are not as committed as the older generation, particularly when it comes to prayer, dedication and spiritual discipline.

Sharing his personal experience, Gaisie recalled spending long hours in prayer with his team, sometimes from 11 PM until 1 AM, stressing that such sacrifices were an important part of his journey.

“These young guys are not like what we used to be like. They are not serious, and they don’t want to go through the process. I was here from 11 PM to 1 AM praying with the team, which I should have been part of, but if you don’t come, they won’t pray. It is heavy work,” he said.

He further expressed sadness about the direction Christianity could take in Ghana, insisting that many young pastors lack the zeal and passion needed to build strong ministries.

“It is terrible because I cry for Christianity for the next 30 years. They don’t have the zeal and passion. They want to achieve what I have achieved overnight,” he stated.

Nigel Gaisie also accused some young pastors of prioritising worldly interests, particularly financial gain, over the actual responsibilities of ministry.

He added that some ministers have become more interested in making money than spreading the gospel, arguing that their approach to evangelism reflects their misplaced priorities.

“I think they are full of worldly things. All they want is money, and if you tell them to go for evangelism, they won’t do it well. Some are being influenced by the pastors who are projecting excess of the prophetic,” he added.

Continue Reading

Entertainment

D-Black Reveals 16 Collaborations With E.L. After Nearly Two Decades of Friendship

Published

on

Award-winning Ghanaian musician D-Black has opened up about his long-standing friendship and musical relationship with fellow rapper E.L., revealing that the two have worked together on approximately 16 songs over the years.

Speaking in an interview on TV3, D-Black disclosed that his relationship with E.L. dates back to 2008 or 2009, when they first crossed paths through the Skillions music collective, which played an important role in shaping Ghana’s hip-hop scene.

Recounting how their relationship began, D-Black explained that he recorded a verse for the Skillions tape in 2009 during a recording session involving Kweku-T and J.S.O., who was then the leader of the collective.

He recalled that J.S.O. brought members of the Skillions together for the project, including E.L., who was already making his presence felt in the music scene at the time.

D-Black noted that E.L. was part of the collective during that period and that their first connection was established through their shared involvement in music.

He explained that their relationship gradually developed into a strong working partnership, with the two musicians continuing to collaborate on different projects over the years.

Reflecting on the number of songs they have worked on together, D-Black disclosed that they initially accumulated about eight or nine collaborations, including songs on which one featured the other and projects involving other artistes.

However, their latest joint project, a five-track EP, has significantly increased the number of songs they have worked on together.

With the addition of the five songs on the EP, D-Black said their total collaborations have now reached approximately 16.

He further explained that their musical partnership has taken different forms, with some songs featuring both artists, some involving him as a guest on E.L.’s projects, and others featuring E.L. on his own releases.

Continue Reading

Entertainment

Kuami Eugene Shares Secret to Making Hit Songs, Says Artistes Must Prioritise Fans

Published

on

Ghanaian musician Kuami Eugene has shared his formula for producing hit songs, urging fellow artistes to prioritise the musical preferences of their audience rather than concentrating solely on their personal tastes.

Speaking in an interview on Pluzz FM on November 10, 2026, the award-winning singer explained that successful singles should be created with listeners in mind, as the ultimate goal is to produce music that connects with a wider audience.

According to Kuami Eugene, artistes who make singles based entirely on what they personally enjoy risk limiting their music to people who share similar tastes, instead of reaching a broader market.

He stressed that musicians must understand the difference between music they enjoy creating for themselves and songs designed to appeal to the masses.

“First rule of making a hit song: You don’t make singles for yourself as an artiste. When you focus on making singles for yourself, you will make music that you enjoy and that people like you will also enjoy. The singles are not for you. Just put the songs you know you will enjoy on albums,” he stated.

The musician explained that the availability of albums containing multiple tracks gives artistes the freedom to explore their creativity and experiment with different sounds while reserving singles for songs with greater commercial potential.

He noted that musicians now have the opportunity to release albums containing anywhere from one to about 20 songs, creating enough room to accommodate their individual musical interests.

“Now we have the luxury of doing as many as you can, maybe from 1 to about 20 songs,” he added.

Using himself as an example, Kuami Eugene explained that an artiste’s public image should not prevent them from creating relatable music that reflects the everyday experiences and interests of ordinary people.

He indicated that even though he may dress elegantly and maintain a sophisticated appearance, he would willingly record a song referencing popular Ghanaian foods such as wele, sebe and kontomire if that was what his audience could easily connect with.

“I may act cool and put on my best clothes and still come and sing ‘wele, sebe, kontomire’ because it’s not about my aura. How many people can jump on this? How many people are going to relate to this? Because I need a party song and a fun song,” he explained.

Kuami Eugene further highlighted the importance of understanding the different moods and entertainment needs of music lovers, noting that listeners do not always seek the same experience from every song.

Referencing rapper Sarkodie, he explained that after listening to emotionally deep music with meaningful lyrics, listeners may want something more energetic to change their mood and get them dancing.

“After you cry with the deep lyrics that you’ve heard from Sarkodie and you want to party, there’s a Kuami Eugene party song you can also play,” he shared.

He believes that artistes who offer different musical experiences can connect with listeners across various occasions, moods and entertainment preferences.

The musician reiterated that understanding the demands of a target audience is essential for anyone hoping to achieve commercial success in the music industry.

“You look at the masses and pay attention to what they want to hear, then you give it to them,” he added.

Continue Reading

Trending